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CATALOG ESSAYS & ARTICLES

Deborah Frizzell: Ends of the Earth, PDF Slag Gallery, NY, 2016 (solo exhibition catalogue essay)

Convergence-spread
“Strange Weather: Joy Garnett and the Tradition of Landscape Painting,” by Lucy R. Lippard. National Academy of Sciences (U.S.), J. D. Talasek, Alana Quinn, and Lee Boot. Convergence: The Art Collection of the National Academy of Sciences. Washington, DC: National Academy of Sciences, 2012.

Lucy R. Lippard: Strange Weather: Joy Garnett and the Tradition of Landscape Painting PDF, In: Convergence: The Art Collection of the National Academy of Sciences. National Academy of Sciences (U.S.), J. D. Talasek, Alana Quinn, and Lee Boot. Washington, DC: National Academy of Sciences, 2012; (solo exhibition catalogue essay, 2006)

Keeley Orgeman: Atomic Afterimage PDF, In: Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, 2008 (excerpt, exhibition catalogue essay)

Benjamin Godsill:  Digital Detournements / (un) Reality Television PDF, In: Image War: Contesting Images of Political Conflict, Whitney Museum of American Art, New York, 2006 (exhibition catalogue essay)

Hilarie M. Sheets: ArtNews: Reinventing the Landscape, March Issue 2001 PDF; read article online


REVIEWS: SOLO EXHIBITIONS

Erin Riley, GOTHAM Magazine (June 21, 2016): Gallery Owner Irina Protopopescu Shares Her Bushwick Faves PDF (reproduction)

Sharon Butler, Two Coats of Paint  (April 7, 2016): 10 ideas and influences: Joy Garnett, PDF

Platform4
Erin Langner, New American Paintings: Being There Again and Again: Joy Garnett at Platform Gallery October 29, 2014

Erin Langner, New American Paintings (October 2014): Being There Again and Again: Joy Garnett at Platform Gallery  PDF

Carly Zinderman, JustLuxe (May 2012): Joy Garnett’s Momentary Explosions are Blowing Up the Art World PDF

Carolina Miranda, WNYC (October 2010): Joy Garnett: Boom & Bust, at Winkleman Gallery PDF

Sharon L. Butler, The Huffington Post (October 2010): Blast Radius PDF

Joanne Mattera, Art Blog (October 2010): Big Bang PDF

Doug McClemont, Saatchi Online Magazine (November 2010): Top Ten Shows in New York PDF

Lauren O’Neill-Butler, Artforum (February 2008): Joy Garnett, Winkleman Gallery PDF

Jennifer Coates, TimeOut NY (March 2008): Joy Garnett, Winkleman Gallery PDF

Jessica Dawson, The Washington Post (July 2007): Katrina, Immortalized in Oil PDF

The New Yorker (February 2004): Joy Garnett “Riot” PDF

Kevin Pratt, TimeOut NY (May 2001): “Rocket Science” at Debs & Co. PDF

Christopher Phillips, Art in America (November 1999): Joy Garnett at Debs & CoPDF

Tim Griffin, TimeOut NY (June 1999): Joy Garnett, “Buster-Jangle” PDF

Ken Johnson, The New York Times (May 1999): Joy Garnett at Debs & Co. PDF

The New Yorker (June 1999): Joy Garnett: “Buster Jangle” PDF


REVIEWS: GROUP EXHIBITIONS

Tom McGlynn, The Brooklyn Rail (July-Aug 2017): Disappearing, Inc.

Review of The Nuclear Culture Source Book (ed. Ele Carpenter; Black Dog Publishing, 2016) in Hyperallergic: The End of the World as we Know It, By Sadie Rebecca Starnes; The End of the World as We Know It, Feb 5, 2017 PDF

Musée Magazine (November 2015): New York, I Love You, But… At NYU’s Gallatin Galleries  PDF

John Isaacs, Imby (August 2015): Art and about: Thought for food

The Wayland Rudd Collection at Winkleman Gallery
Holland Cotter, The New York Times (February 2014): The Wayland Rudd Collection, at Winkleman Gallery PDF

Holland Cotter, The New York Times (February 2014): The Wayland Rudd Collection, at Winkleman Gallery PDF

Deutsche Bank Magazine (June 2011): Art Meets Ecology: Beyond the Horizon at Wall Gallery New York PDF

Sharon Butler, Two Coats of Paint (May 2011): Inside the Painter’s Head  PDF

Brandon Keim, WIRED (August 10, 2011): Disturbing or Beautiful? Artists Evaluate Man’s Impact on Nature PDF

Jillian Steinhauer, ARTINFO (February 2009): Art for Troubled Times: “Things Fall Apart” PDF

Lori Cole, Artforum (February 2009): Things Fall Apart, Winkleman Gallery PDF

Jen Graves, The Stranger (December 2009): The Stranger Suggests: The There PDF

Regina Hackett, Seattle Post Intelligencer (May 19, 2008): Paint That Burns Through Narrative   PDF


8_042_feature
Joy Garnett, Kill Box, 2001, oil on canvas, 38 x 48 in, courtesy of the artist.(Review: Murtaza Vali, Bidoun, “Image War: Contesting Images of Political Conflict.” Whitney Museum of American Art / City University of New York May 19–June 25, 2006″)

Murtaza Vali, Bidoun (Fall 2006): Image War’ Whitney Museum of American Art PDF

Holland Cotter, The New York Times (August 2007): Double X-Rated: Where the Girls Are PDF

The New Yorker (June 2007): “Project: Rendition” at Momenta

Holland Cotter, The New York Times (August 2006): Art in Review:  Prevailing Climate PDF

Roberta Smith, The New York Times (August 2004): Art in Review: The Infinite Fill Group Show PDF

The New Yorker (July 2002): “Night Vision” at White Columns PDF

Jog, 2003, oil on canvas, 26×46 inches

Roberta Fallon, artblog (February 22, 2005): “Trouble in Abington, er, Paradise

There’s one image here that stands out. It has a kind of shock value the other works — even one by the eco-hysterical Alexis Rockman […] — don’t have. That’s Joy Garnett‘s “Jog,” […] a simple work based on a news photo of a jogger getting some exercise during the first Gulf War. The jogger is running with a mask on his face and in the background are the burning oil fields of Kuwait. The sly, subliminal, run for the hills it’s the apocalypse coming message works perfectly with the fast, brushy atmosphere of the work. Garnett, whose blog, Newsgrist, is on my bookmarks, has, without hysteria and with a lot of smart geo-political positioning, created a work that is a modern day Albert Pinkham Ryder Death riding through the land painting. ~ Roberta Fallon


EXHIBITION CATALOGUE ESSAYS

Deborah Frizzell: Ends of the Earth, Slag Gallery, NY, 2016 (solo)

Tom McGlynn: unmonumental, in conjunction with apex art franchise exhibition, Memphis, TN, 2013; 2016

Lucy R. Lippard: Strange Weather: Joy Garnett and the Tradition of Landscape Painting, Convergence: The Art Collection of the National Academy of Sciences. National Academy of Sciences (U.S.), J. D. Talasek, Alana Quinn, and Lee Boot. Washington, DC: National Academy of Sciences, 2012

Nicole J. Caruth: Joy Garnett: Kitchen Studio  PDF
With Food In Mind, The Center For Book Arts, New York, 2011

Keeley Orgeman: Atomic Afterimage [excerpt] PDF
Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, 2008

Lucy R. Lippard: Strange Weather: New Paintings by Joy Garnett, National Academy of Sciences, Washington, DC, 2006 (solo)

Benjamin Godsill
: Digital Detournements / (un) Reality Television PDF
Image War: Contesting Images of Political Conflict,
Whitney Museum of American Art, (ISP), New York, 2006

Manuel DeLanda: Panspectron PDF
Rocket Science, Debs & Co., New York, 2001 (solo)


INTERVIEWS

Julia Schwartz, Figure/Ground, (2012): Interview with Joy Garnett: Painting as a Radical Gesture (excerpt)PDF

John Armitage, Cultural Politics, 2010: Apocalypse Now: An Interview with Joy Garnett. PDF


STUDIO VISITS

Visual and Critical Studies blog, School of Visual Arts, NY (2010): A visit to Joy Garnett’s studio.


ARTICLES

The Huffington Post (Sept 8, 2016) D. Dominick Lombardi: Tell Me a Story

The Huffington Post (March 22, 2016) Tracey Harnish: unmonumental: Joy Garnett Walks the Streets of New York

John Armitage, Cultural Politics 11.1 (March 2015): VespertinePDF

CMag
Nicole Caruth: C Magazine, 2011 Summer Issue: “Kitchen Studio: A Recipe For Disaster”

Nicole J. Caruth, C Magazine (June 2011): Kitchen Studio: A Recipe For Disaster PDF

Hilarie M. Sheets: Reinventing the Landscape; ArtNews: Reinventing the Landscape (March 2001) PDF

Lance Wakeling, The Highlights (October 2009): Voluntary Sculptures: Photographing the Unmonumental PDF


MENTIONS

Benjamin Sutton, I Saw This Thing (November 6, 2013): Joy Garnett’s spectacular painting “Pink Bomb.”

Carolina Miranda, C-Monster (September 7, 2010): The Digest.


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