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 SELECTED ESSAYS & ARTICLES

Deborah Frizzell: Ends of the Earth, PDF Slag Gallery, NY, 2016 (solo exhibition catalogue essay)

Lucy R. Lippard: Strange Weather: Joy Garnett and the Tradition of Landscape Painting PDF, In: Convergence: The Art Collection of the National Academy of Sciences. National Academy of Sciences (U.S.), J. D. Talasek, Alana Quinn, and Lee Boot. Washington, DC: National Academy of Sciences, 2012; (solo exhibition catalogue essay, 2006)

Keeley Orgeman: Atomic Afterimage PDF, In: Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, 2008 (excerpt, exhibition catalogue essay)

Benjamin Godsill:  Digital Detournements / (un) Reality Television PDF, In: Image War: Contesting Images of Political Conflict, Whitney Museum of American Art, New York, 2006 (exhibition catalogue essay)

Hilarie M. Sheets: ArtNews: Reinventing the Landscape, March Issue 2001 PDF; read article online


REVIEWS: SOLO EXHIBITIONS

Erin Riley, GOTHAM Magazine (June 21, 2016): Gallery Owner Irina Protopopescu Shares Her Bushwick Faves PDF (reproduction)

Sharon Butler, Two Coats of Paint  (April 7, 2016): 10 ideas and influences: Joy Garnett, PDF

Erin Langner, New American Paintings (October 2014): Being There Again and Again: Joy Garnett at Platform Gallery  PDF

Carly Zinderman, JustLuxe (May 2012): Joy Garnett’s Momentary Explosions are Blowing Up the Art World PDF

Carolina Miranda, WNYC (October 2010): Joy Garnett: Boom & Bust, at Winkleman Gallery PDF

Sharon L. Butler, The Huffington Post (October 2010): Blast Radius PDF

Joanne Mattera, Art Blog (October 2010): Big Bang PDF

Doug McClemont, Saatchi Online Magazine (November 2010): Top Ten Shows in New York PDF

Lauren O’Neill-Butler, Artforum (February 2008): Joy Garnett, Winkleman Gallery PDF

Jennifer Coates, TimeOut NY (March 2008): Joy Garnett, Winkleman Gallery PDF

Jessica Dawson, The Washington Post (July 2007): Katrina, Immortalized in Oil PDF

The New Yorker (February 2004): Joy Garnett “Riot” PDF

Kevin Pratt, TimeOut NY (May 2001): “Rocket Science” at Debs & Co. PDF

Christopher Phillips, Art in America (November 1999): Joy Garnett at Debs & CoPDF

Tim Griffin, TimeOut NY (June 1999): Joy Garnett, “Buster-Jangle” PDF

Ken Johnson, The New York Times (May 1999): Joy Garnett at Debs & Co. PDF

The New Yorker (June 1999): Joy Garnett: “Buster Jangle” PDF


REVIEWS: GROUP EXHIBITIONS

Tom McGlynn, The Brooklyn Rail (July-Aug 2017): Disappearing, Inc.

Review of The Nuclear Culture Source Book (ed. Ele Carpenter; Black Dog Publishing, 2016) in Hyperallergic: The End of the World as we Know It, By Sadie Rebecca Starnes; The End of the World as We Know It, Feb 5, 2017 PDF

Musée Magazine (November 2015): New York, I Love You, But… At NYU’s Gallatin Galleries  PDF

John Isaacs, Imby (August 2015): Art and about: Thought for food

Holland Cotter, The New York Times (February 2014): The Wayland Rudd Collection, at Winkleman Gallery PDF

Deutsche Bank Magazine (June 2011): Art Meets Ecology: Beyond the Horizon at Wall Gallery New York PDF

Brandon Keim, WIRED (August 10, 2011): Disturbing or Beautiful? Artists Evaluate Man’s Impact on Nature PDF

Jillian Steinhauer, ARTINFO (February 2009): Art for Troubled Times: “Things Fall Apart” PDF

Lori Cole, Artforum (February 2009): Things Fall Apart, Winkleman Gallery PDF

Jen Graves, The Stranger (December 2009): The Stranger Suggests: The There PDF

Regina Hackett, Seattle Post Intelligencer (May 19, 2008): Paint That Burns Through Narrative   PDF

Murtaza Vali, Bidoun (Fall 2006): Image War’ Whitney Museum of American Art PDF

Holland Cotter, The New York Times (August 2007): Double X-Rated: Where the Girls Are PDF

The New Yorker (June 2007): “Project: Rendition” at Momenta

Holland Cotter, The New York Times (August 2006): Art in Review:  Prevailing Climate PDF

Roberta Smith, The New York Times (August 2004): Art in Review: The Infinite Fill Group Show PDF

The New Yorker (July 2002): “Night Vision” at White Columns PDF


EXHIBITION CATALOGUE ESSAYS

Deborah Frizzell: Ends of the Earth, Slag Gallery, NY, 2016 (solo)

Tom McGlynn: unmonumental, in conjunction with apex art franchise exhibition, Memphis, TN, 2013; 2016

Lucy R. Lippard: Strange Weather: Joy Garnett and the Tradition of Landscape Painting, Convergence: The Art Collection of the National Academy of Sciences. National Academy of Sciences (U.S.), J. D. Talasek, Alana Quinn, and Lee Boot. Washington, DC: National Academy of Sciences, 2012

Nicole J. Caruth: Joy Garnett: Kitchen Studio  PDF
With Food In Mind, The Center For Book Arts, New York, 2011

Keeley Orgeman: Atomic Afterimage [excerpt] PDF
Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, 2008

Lucy R. Lippard: Strange Weather: New Paintings by Joy Garnett, National Academy of Sciences, Washington, DC, 2006 (solo)

Benjamin Godsill
: Digital Detournements / (un) Reality Television PDF
Image War: Contesting Images of Political Conflict,
Whitney Museum of American Art, (ISP), New York, 2006

Manuel DeLanda: Panspectron PDF
Rocket Science, Debs & Co., New York, 2001 (solo)


INTERVIEWS

Julia Schwartz, Figure/Ground, (2012): Interview with Joy Garnett: Painting as a Radical Gesture (excerpt)PDF

John Armitage, Cultural Politics, 2010: Apocalypse Now: An Interview with Joy Garnett. PDF


STUDIO VISITS

Visual and Critical Studies blog, School of Visual Arts, NY (2010): A visit to Joy Garnett’s studio.


ARTICLES

The Huffington Post (Sept 8, 2016) D. Dominick Lombardi: Tell Me a Story

The Huffington Post (March 22, 2016) Tracey Harnish: unmonumental: Joy Garnett Walks the Streets of New York

John Armitage, Cultural Politics 11.1 (March 2015): VespertinePDF

Nicole J. Caruth, C Magazine (June 2011): Kitchen Studio: A Recipe For Disaster PDF

Hilarie M. Sheets: Reinventing the Landscape; ArtNews: Reinventing the Landscape (March 2001) PDF

Lance Wakeling, The Highlights (October 2009): Voluntary Sculptures: Photographing the Unmonumental PDF


MENTIONS

Benjamin Sutton, I Saw This Thing (November 6, 2013): Joy Garnett’s spectacular painting “Pink Bomb.”

Carolina Miranda, C-Monster (September 7, 2010): The Digest.


 

Platform4
Erin Langner, New American Paintings: Being There Again and Again: Joy Garnett at Platform Gallery October 29, 2014

The Wayland Rudd Collection at Winkleman Gallery
Holland Cotter, The New York Times (February 2014): The Wayland Rudd Collection, at Winkleman Gallery PDF

Convergence-spread
“Strange Weather: Joy Garnett and the Tradition of Landscape Painting,” by Lucy R. Lippard. National Academy of Sciences (U.S.), J. D. Talasek, Alana Quinn, and Lee Boot. Convergence: The Art Collection of the National Academy of Sciences. Washington, DC: National Academy of Sciences, 2012.
CMag
Nicole Caruth: C Magazine, 2011 Summer Issue: “Kitchen Studio: A Recipe For Disaster”

8_042_feature
Joy Garnett, Kill Box, 2001, oil on canvas, 38 x 48 in, courtesy of the artist.(Review: Murtaza Vali, Bidoun, “Image War: Contesting Images of Political Conflict.” Whitney Museum of American Art / City University of New York May 19–June 25, 2006″)

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